If you’re considering a reliable camera on a budget, the Pentax K-70 offers a lot of value, from in-body image stabilization to excellent weather sealing. However, technology has moved forward since its release, with mirrorless cameras and 4K video becoming standard. Understanding where the Pentax K-70 still excels and where it falls short is crucial before making a purchase.

With that in mind, let’s break down the Pentax K-70’s features, performance, pricing, and system compatibility to help you determine whether this nearly decade-old DSLR is still a smart buy. Whether you’re a beginner, hobbyist, or outdoor photographer, this guide will provide a clear picture of what to expect from the K-70 in 2025.

Table of Contents

• The Pentax K-70 at a Glance
• Build Quality and Design: Rugged and Reliable
• Image Quality and Performance
• Autofocus and Speed: Strengths and Limitations
• Lens Compatibility and System Support
• Pricing and Value in 2025
• Who Should Consider the K-70 Today?
• Alternatives to the Pentax K-70
• Final Verdict: Should You Buy One?
• FAQ

The Pentax K-70 at a Glance

As noted in the video above by TheCameraStoreTV, the Pentax K-70 was designed as a mid-tier DSLR, aimed at photographers who wanted more than an entry-level camera but without the cost of a professional body. It features a 24.2-megapixel APS-C CMOS sensor paired with the PRIME MII image processor, offering excellent image quality for its class. With continuous shooting up to six frames per second and ISO capability up to 102,400, the K-70 provides flexibility for a wide range of shooting scenarios.

One of the camera’s most defining features is Pentax’s commitment to durability. At launch, few competitors offered the same level of weather sealing and rugged design in this price range. The K-70 also stands out for its fully articulating LCD screen, which is ideal for creative angles, vlogging, or capturing low-to-the-ground shots.

Despite its age, the Pentax K-70 still competes in certain areas with modern entry-level DSLRs. While mirrorless cameras dominate the current market, the K-70 provides a tactile shooting experience with physical dials, a robust grip, and compatibility with a vast array of Pentax K-mount lenses.

Build Quality and Design: Rugged and Reliable

Handling the Pentax K-70 gives you an immediate sense of durability. The camera body is compact yet solid, with a magnesium alloy top and front panels that reinforce its weather-resistant design. This makes it a favorite among outdoor photographers who shoot in rain, dust, or even light snow.

The 3.0″ 921k-dot Vari-Angle LCD screen is a notable feature, especially if you’re exploring creative angles or shooting video. It flips out and rotates, allowing for overhead or low-angle shots without awkward positioning. Paired with the K-70’s intuitive menu system, this makes navigating settings in challenging conditions straightforward.

Buttons and dials on the K-70 are well-placed, providing quick access to ISO, exposure compensation, and drive modes. While the design is not flashy, it is functional and reliable. Even in 2025, photographers who prioritize handling and durability over the latest touchscreen interfaces will find the K-70 appealing.

Image Quality and Performance

Photo by Mitsuo Suzuki via Ricoh Imaging

The 24.2MP APS-C sensor in the Pentax K-70 still delivers impressive detail and dynamic range, especially when paired with good lenses. JPEG output has a distinct color rendering that many Pentax users appreciate, producing natural skin tones and rich landscape colors straight out of the camera. RAW files give photographers ample flexibility for post-processing, even compared to newer cameras.

One of the K-70’s most impressive features for its class is its low-light capability. ISO performance up to 102,400 may sound impressive on paper, though practical use typically maxes out at ISO 6400–12800 for usable images. Still, for a nearly decade-old camera, it holds up well for indoor or evening shooting.

Video capabilities are more limited, though. Full HD 1080p at 60i/30p was respectable in 2016, but today’s content creators often expect 4K recording. While the K-70 can handle casual video work, those prioritizing modern video performance may find it lacking.

Autofocus and Speed: Strengths and Limitations

The Pentax K-70 employs a hybrid autofocus system with on-sensor phase detection. This was advanced for its time, offering faster and more accurate focus in live view than many competitors. However, in 2025, it is noticeably slower than modern mirrorless cameras for fast-moving subjects.

For portraiture, landscapes, and casual street photography, the autofocus system is more than adequate. Continuous autofocus tracking struggles with sports or wildlife, and some photographers may find the K-70’s 6 fps burst rate limiting compared to modern alternatives. That said, its optical viewfinder remains sharp and clear, providing a reliable experience for traditional DSLR users.

Overall, the K-70 performs best in controlled or moderately active shooting scenarios. Photographers seeking speed and advanced subject tracking should explore newer models, but for deliberate composition and creative shooting, the K-70 holds its own.

Lens Compatibility and System Support

One of Pentax’s strongest selling points is its K-mount lens ecosystem. The Pentax K-70 can use decades of lenses, from vintage glass to modern optics, offering options at nearly every price point. This makes the system appealing for photographers who enjoy exploring legacy lenses or want budget-friendly alternatives to new glass.

Modern Pentax lenses continue to support advanced autofocus and image stabilization, making them fully compatible with the K-70. The in-body image stabilization (IBIS) adds flexibility, allowing older lenses without stabilization to still produce sharp images handheld.

While Pentax’s system is smaller than Canon, Nikon, or Sony ecosystems, it offers a unique advantage for hobbyists and enthusiasts looking for a durable, long-term system. The camera and lenses are built to last, and used glass can often be found at significant discounts.

Pricing and Value in 2025

Originally launched at a mid-range price point, the Pentax K-70 has seen substantial depreciation over the years. In 2025, used bodies can typically be found between $300 and $500, depending on condition and included accessories. This makes the K-70 a highly cost-effective option for photographers looking for a rugged, full-featured DSLR on a budget.

If you ask me, one of the best places to find a used Pentax K-70 is MPB. This online platform specializes in buying and selling pre-owned photography and video gear. MPB inspects each camera for quality, assigns accurate grading, and even offers warranties, giving you confidence when purchasing used equipment. If you’re hesitant to buy second-hand, MPB provides a safer alternative to private sellers.

Considering its build quality, image performance, and included features like IBIS and weather sealing, the K-70 offers excellent value for the money. For beginners, hobbyists, or outdoor photographers, it represents an opportunity to own a capable DSLR without breaking the bank.

Who Should Consider the K-70 Today?

The Pentax K-70 is ideal for photographers who prioritize durability and a tactile shooting experience. Outdoor enthusiasts, hikers, and landscape photographers benefit from its weather-sealed body and in-body stabilization. The articulating screen is a bonus for creative compositions or vlog-style content.

Beginners or students who want an affordable DSLR with room to grow will find the K-70 appealing. Its compatibility with decades of lenses also allows users to experiment without significant investment. While not the fastest camera on the market, it is forgiving for learning composition, lighting, and manual settings.

However, if you focus heavily on 4K video, fast sports, or wildlife photography, the K-70 may feel limited. For these users, newer mirrorless cameras or DSLRs with faster autofocus would likely be a better fit.

Alternatives to the Pentax K-70

Within Pentax’s lineup, you could explore the K-3 Mark III or the newer Pentax KF (shown above) if you want updated features and faster performance. Outside of Pentax, older Canon EOS Rebel models or Nikon D5600 bodies offer similar entry-to-mid-level DSLR experiences. On the mirrorless front, the Canon EOS R10 or Sony a6100 provide compact, fast, and versatile alternatives.

The choice often comes down to what you value most: durability and a tactile DSLR experience with access to legacy lenses, or modern autofocus, 4K video, and mirrorless convenience. For those who appreciate Pentax’s unique approach, the K-70 remains a viable option even today.

Final Verdict: Should You Buy One?

The Pentax K-70 is not cutting-edge by 2025 standards, but it remains a durable, capable, and affordable DSLR. Its image quality, in-body stabilization, weather sealing, and lens compatibility make it appealing for beginners, hobbyists, and outdoor photographers. Video users and fast-action shooters may find it limiting, but for deliberate, creative photography, it performs remarkably well.

Of course, platforms like MPB make it easier than ever to purchase a used K-70 safely, offering warranties and quality checks that reduce risk. If you want a budget-friendly DSLR with character and reliability, the Pentax K-70 is a smart buy, even nearly a decade after its launch.

FAQ

Is the Pentax K-70 still relevant in 2025?

Yes, for photographers who prioritize durability, image quality, and access to Pentax lenses. While it lacks modern 4K video and the fastest autofocus, it remains capable for many photography genres.

Where can I buy a used Pentax K-70 safely?

MPB is an excellent platform for buying used cameras, including the Pentax K-70. They inspect each item, provide accurate grading, and offer warranties for added security.

How does the Pentax K-70 compare to modern mirrorless cameras?

Mirrorless cameras offer faster autofocus, 4K video, and more compact designs. However, the K-70 has weather sealing, in-body stabilization, and access to legacy lenses, making it appealing for certain photographers.

What type of photography is the Pentax K-70 best for?

It excels in landscape, portrait, street, and outdoor adventure photography, especially in challenging weather conditions where its rugged body and IBIS provide an advantage.

Is the Pentax K-70 a good first DSLR?

Yes, it’s a strong choice for beginners due to its affordability, durability, and the ability to experiment with both new and legacy Pentax lenses while learning manual settings.

Our articles might have affiliate links and the occasional sponsored content, but don’t sweat it – if you buy something, we get a little kickback at no extra cost to you, and we only hype products we truly believe in!

Learn More:

• 6 Reasons You Need a 50mm Lens
• Travel Photography on a Budget: Affordable Gear for Beginners

The post The Pentax K-70 is Nearly a Decade Old. Should You Buy One? appeared first on Photography Talk.

As someone who has been around the photography block for decades, I’ve seen the excitement of getting new gear tempered by the anxiety of dealing with strangers, shipping headaches and the very real possibility of fraud. That’s why I’m passionate about sharing safer alternatives when they exist.

In the world of pre‑owned cameras and lenses, one platform stands out for reducing nearly all of that risk: MPB.

The Problem With Peer‑to‑Peer Marketplaces

Photo by Oberon Copeland @veryinformed.com on Unsplash (license)

Let me start by sharing a few examples that will sound familiar to anyone who’s bought or sold camera gear online…

One story tells of a student photographer in the UK who sold his camera on a popular classified site. After the buyer claimed to have overpaid, the student got a series of convincing emails supposedly from PayPal asking for a refund. By the time he figured out it was a scam, the camera was gone.

Another professional photographer shared how she sold a brand‑new mirrorless camera through a marketplace and ended up embroiled in a fraudulent return scam. The buyer provided staged photos of the wrong camera as “proof,” received a refund and returned the cheaper camera while keeping the expensive one. Even though the marketplace eventually resolved the dispute, it was a massive headache and left her without her gear for weeks.

Those are just two stories among the many horror tales circulating in photography forums and social‑media groups. In my experience, scams often follow patterns: fake payment confirmations, chargebacks after equipment is shipped, or buyers who claim the item arrived damaged and demand partial refunds.

Photo by fizkes via Shutterstock

Meeting locally to “avoid shipping” isn’t foolproof either. Scammers using Facebook Marketplace and Venmo have stolen videographers’ kits and caused losses estimated between $25,000 and $100,000. I’ve heard other stories of photographers robbed during meet‑ups or coaxed into unsafe situations.

When you rely on these platforms, you’re dealing with unknown individuals, and you must handle everything yourself: pricing, listing, photographing the gear, negotiating, shipping, collecting payment and resolving any disputes. Listing fees, payment‑processing fees and the possibility of returns or chargebacks can quickly eat into your profits.

Because I’ve seen so many deals go south, I tend to approach peer‑to‑peer sales with caution. They may offer the ability to set your own price, but they also demand a level of vigilance and risk tolerance that many of us just don’t have the bandwidth for.

How MPB Camera is Different

This is where MPB enters the picture. If you’re unfamiliar with the company, MPB isn’t a peer‑to‑peer marketplace; they’re a global platform that buys, inspects and resells pre‑owned photo and video equipment. Every piece of gear they list—be it a camera body, lens or accessory—has been inspected individually by a product specialist. They check performance, look for scratches or mildew and photograph the item from every angle so you can see exactly what you’re buying. When you buy an MPB-approved camera, you aren’t relying on a seller’s description or stock photos; you’re looking at the actual item, complete with a six‑month warranty.

From a seller’s perspective, the biggest difference is that MPB buys gear directly. You don’t have to create a listing or wait for a buyer. You simply enter the model and condition of your camera or lens on MPB’s website and receive an instant quote based on real‑time market data. That quote is guaranteed for fourteen days, giving you time to think without worrying about the price changing.

Once you accept, MPB arranges free pickup and brings the gear to one of its facilities for inspection. If the condition matches what you described—or is better—you get paid within a few days. If the condition is worse, they’ll adjust the quote and let you decide whether to proceed. There are no listing fees, and you don’t have to photograph your gear; MPB handles all of that.

For many photographers, the best part is the payout: according to MPB’s data, the average person who sells to MPB earns $900 per transaction. That’s not chump change when you consider the time and hassle saved. Having spent years tracking used gear prices across forums and marketplaces, I’ve found MPB’s quotes to be fair and competitive. You might get a bit more on eBay or Craigslist if you’re willing to spend time negotiating, but you also run the risk of fees, fraud and delays. For me, that $900 average is a reflection of MPB’s middle‑ground approach: they take a cut to handle all the logistics, but they also pass on a substantial amount to the seller.

Breaking Down MPB’s Benefits

Photo by Kulkova Daria via Shutterstock

Beyond the core buying and selling process, MPB offers several advantages that make it particularly appealing to someone like me who has been burned by shady buyers:

• Quality assurance: Every item is graded and photographed by MPB’s in‑house specialists. You get exactly what you see, and if something goes wrong, you have a six‑month warranty.
• Transparency in pricing: The quote system uses real‑time market data, so you’re not guessing or haggling. Buyers can filter by condition and price, making it easy to find a camera that fits their budget.
• Environmental sustainability: MPB recirculated 485,000 items of photo gear last year. The company uses plastic‑free packaging and is working toward 100 % renewable electricity across all its buildings. Buying a used MPB camera instead of new helps reduce e‑waste and your carbon footprint.
• Trust and reputation: MPB enjoys a Trustpilot score of 4.87, an impressive feat in an industry often plagued by dissatisfied buyers and sellers. More than 625,000 visual storytellers have bought or sold gear through MPB.
• No hidden fees: There are no listing fees, no shipping charges and no haggling over price. You know your net proceeds before you send your gear.
• Fast turnaround for buyers: If you’re shopping, MPB adds around 3,000 new products each week. Newly released cameras typically hit the platform within three months, and “like‑new” items often cost about 30 % less than brand‑new gear. That’s a significant saving.

Why I Trust MPB Camera Over Craigslist, eBay and OfferUp

Over the years, I’ve listed gear on nearly every platform out there. Craigslist meets sometimes felt like a Craigslist thriller: meeting a stranger in a parking lot, cash in hand, hoping they’d show up and hoping they were legitimate. eBay offered more structure, but the fees kept adding up, and I always worried about chargebacks. OfferUp was convenient for local sales, but the vetting process for buyers and sellers always felt thin.

My own experience with MPB camera has been on the buying side. I’ve picked up a couple of used lenses through the platform, and each time the process was seamless. I could browse high‑quality photos of the exact lens I was purchasing, choose the condition that fit my budget, and check out knowing the lens came with a six‑month warranty. When the lenses arrived, they were exactly as described—no surprises, no undisclosed scratches or haze. That kind of transparency is rare when you’re dealing with anonymous sellers on general‑purpose marketplaces.

I’ve also spoken with dozens of photographers over the years who have sold their cameras and lenses to MPB. They tell me the same story: they entered the model and condition, got an instant quote that was guaranteed for two weeks, and MPB arranged free pickup of their gear.

After inspection, MPB camera either confirmed the quote or, in some cases, even offered a bit more if the condition was better than expected. They were paid quickly, and they never had to deal with listing fees or endless questions from strangers. One friend said he netted close to $900 selling a couple of lenses, a figure that aligns with the average payout MPB cites for a typical transaction. For them, the convenience and security far outweighed the possibility of squeezing out a few extra dollars on an auction site.

When I contrast these experiences with the many horror stories I’ve heard about fraudulent buyers and time‑consuming disputes on other platforms, it’s easy to see why MPB has become my go‑to. As someone who spends his days writing about photography rather than chasing down buyers, that peace of mind is priceless.

Tips for Safe Transactions—Wherever You Buy or Sell

Photo by Prostock-studio via Shutterstock

Of course, not everyone will use MPB, and that’s okay. If you do decide to sell or buy through other channels, my years of experience have taught me a few safeguards:

• Use secure payment methods. PayPal Goods and Services or an escrow service provide some buyer and seller protection. Avoid wire transfers or “friends and family” payments.
• Document everything. When shipping, record a video of yourself packing the camera and showing serial numbers; this proof can be invaluable if a buyer claims the item was damaged or swapped.
• Meet in public places. If you’re selling locally, choose a busy, well‑lit location—preferably with cameras—and bring a friend.
• Beware of too‑good‑to‑be‑true offers. Scammers often lure sellers with overpayments or buyers with low prices. If an offer seems too good, it probably is.
• Communicate through the platform. Don’t let a buyer or seller pull you off‑platform to text or email; this is a common tactic to avoid platform protections.

Even with these precautions, you’re still on the hook for a lot of work. That’s why platforms like MPB camera exist: to handle the logistics and reduce the risk.

Final Thoughts

Photo by Magargee Films via Shutterstock

When I reflect on the last 16 years of running PhotographyTalk, I can see how far the photography community has come. Cameras have evolved, social media has transformed how we share images, and the used‑gear market has exploded. But the one constant has been the need for trust. Photographers, whether hobbyists or professionals, invest not just money but also their creative vision into their equipment. We deserve a marketplace that respects that investment and protects us from fraud.

After hearing so many horror stories and experiencing my own share of frustrations with peer‑to‑peer marketplaces, I’m relieved to have a reliable option like MPB. By offering instant quotes, 14‑day price guarantees, free shipping, a 6‑month warranty, and an average $900 payout per sale, MPB removes most of the barriers and risks associated with selling used gear. They handle the legwork while promoting sustainability and transparency. That peace of mind is worth more to me than squeezing out a few extra dollars on an auction site.

Ultimately, whether you decide to sell or buy through MPB or venture onto Craigslist or eBay, be smart and protect yourself. Cameras are tools of our craft, and losing them to a scam or dispute is not only costly but also demoralizing. As someone who’s spent decades photographing and building a community around this art form, I encourage you to prioritize safety and consider platforms that share your values. In my book, when it comes to buying or selling used camera gear, the MPB camera experience is hard to beat.

Photo by Jacob Lund via Shutterstock

Just so you know, some of the cool stuff we mention comes with affiliate links, meaning we earn a commission if you buy (no extra charge to you!). Plus, we occasionally feature sponsored content, but rest assured, we only shout out products we genuinely stand behind.

Hero photo by Skylines viaShutterstock

The post MPB Camera vs. Marketplace: Avoiding Scams & Hidden Fees When Buying Used Gear appeared first on Photography Talk.

But as you progress, you might notice frustrations creeping in. Images that look dull in low light, portraits that don’t quite achieve the creamy background blur you imagined, or shots that seem softer than expected at the edges—all of these are common hurdles with a kit lens. The truth is, these lenses are a compromise between affordability and performance, and knowing their limitations is key to using them effectively.

This doesn’t mean you should ditch your kit lens right away…

In fact, learning to work around its constraints is one of the best ways to grow as a photographer. In this article, we’ll explore the most common kit lens limitations, practical workarounds you can use today, and when it makes sense to look at upgrades. Along the way, I’ll share personal insights from my own experience starting with lenses like the Canon EF-S 18–55mm f/3.5–5.6 and Nikon AF-P DX 18–55mm f/3.5–5.6, and how they shaped my approach to photography.

Table of Contents

• What is a Kit Lens?
• Limitation: Low Light Performance
• Limitation: Limited Depth of Field Control
• Limitation: Softness and Distortion at the Edges
• Limitation: Slow Autofocus and Build Quality
• Limitation: Limited Creative Range
• Pricing and Value: Are Kit Lenses Worth It?
• When (and Why) to Upgrade from a Kit Lens
• Making the Most of What You Have
• FAQ

What is a Kit Lens?

Photo by New Africa via Shutterstock

A kit lens is typically the standard zoom bundled with a new camera. For APS-C cameras, that’s usually something like an 18–55mm f/3.5–5.6. For full-frame cameras, it might be a 24–105mm or 28–70mm with a variable aperture. These lenses cover a practical zoom range that allows you to shoot landscapes, portraits, and everyday scenes without switching glass.

The strength of a kit lens lies in its flexibility. It’s small and lightweight, which makes it a great travel companion. It also offers a wide-enough field of view at the short end for landscapes, while the telephoto end provides a bit of reach for tighter shots. For beginners, it’s an excellent tool to experiment with composition and learn the fundamentals of exposure.

However, the design of a kit lens is driven by affordability rather than optical excellence. To keep costs low, manufacturers make compromises in aperture size, build materials, and optical coatings. This is why photographers often outgrow them once they begin to explore more specialized genres like portraiture, sports, or low-light photography. Knowing what your kit lens can and can’t do is essential for deciding whether to stick with it or move on to something else.

Limitation: Low Light Performance

Photo by Mny-Jhee via Shutterstock

One of the first frustrations photographers run into with a kit lens is shooting in low light. With a maximum aperture of f/3.5 at the wide end and f/5.6 at the telephoto end, these lenses simply don’t let in much light compared to prime lenses like the Canon EF 50mm f/1.8 STM or Nikon 50mm f/1.8G. That means slower shutter speeds, higher ISO settings, and often blurrier or noisier images.

For example, when shooting indoors at night, you might find yourself pushing your ISO up to 3200 or higher just to get a usable shot. The noise can quickly overwhelm fine details, especially on entry-level cameras with smaller sensors. This is why many beginners wonder why their photos don’t look as crisp as what they see from others online.

There are workarounds, though. A tripod is one of the simplest tools to combat low-light struggles. By stabilizing your camera, you can shoot at slower shutter speeds without introducing blur from hand shake. Learning to use bounce flash or even a simple LED light panel can also make a dramatic difference. And while high ISO introduces grain, modern editing software like Lightroom has excellent noise reduction tools that can rescue images taken in poor lighting conditions.

Limitation: Limited Depth of Field Control

Photo by Benny Hassum on Unsplash (license)

One of the hallmarks of professional-looking photography is subject isolation—sharp subjects against beautifully blurred backgrounds (as shown above). A kit lens, with its relatively small maximum aperture, doesn’t produce the same shallow depth of field as fast primes. Shooting a portrait at f/5.6 simply won’t deliver the creamy bokeh that an f/1.8 lens provides.

That said, you can still achieve subject separation with a kit lens if you understand how depth of field works. Zooming in to the telephoto end of the lens, stepping closer to your subject, and positioning them several feet away from the background can create more blur than you might expect. I’ve taken some surprisingly nice portraits at 55mm with an 18–55mm kit lens just by maximizing these factors.

Another trick is to use your environment. Shooting against a background with natural separation—like open space, trees, or even a wall with texture—can give the illusion of greater subject emphasis. And while the bokeh won’t rival a prime lens, thoughtful lighting and composition can still make your portraits compelling.

Limitation: Softness and Distortion at the Edges

Photo by Gaspar Janos via Shutterstock

Another limitation many beginners notice is that kit lenses often lack sharpness, particularly at the edges of the frame. Wide shots of landscapes may look sharp in the middle but soft toward the corners. Distortion and vignetting are also common, especially at the wide end around 18mm.

This isn’t unique to kit lenses—it’s a trade-off in many zoom designs—but it’s more pronounced in budget optics. For example, the Nikon AF-P 18–55mm shows noticeable barrel distortion at 18mm, which can make straight lines appear curved. While this may frustrate those photographing architecture, it’s not the end of the world.

Workarounds include stopping the aperture down to f/8 or f/11, where sharpness across the frame improves significantly. In fact, landscape photographers often use these apertures anyway for greater depth of field. Editing software also makes correcting distortion and vignetting a breeze, with many programs offering lens-specific correction profiles that automatically adjust your images.

Limitation: Slow Autofocus and Build Quality

Photo by Anyzoy studio on Unsplash (license)

Kit lenses aren’t built with the fastest autofocus motors. While modern versions like Canon’s EF-S 18–55mm IS STM (shown above) and Nikon’s AF-P DX 18–55mm are much improved over older generations, they can still struggle with fast-moving subjects. Sports, wildlife, or kids running around can sometimes leave the autofocus hunting instead of locking on.

Another consideration is build quality. To keep costs down, many kit lenses use plastic mounts and lighter materials. While this makes them less durable than professional glass, it doesn’t mean they’re fragile. I’ve used the Canon EF-S 18–55mm for years of travel and everyday shooting, and it held up well with basic care.

The workaround here is to anticipate action. Pre-focusing on an area where you know movement will happen, using continuous autofocus (AI Servo/AF-C mode), and shooting in bursts can help capture moments even with slower focusing lenses. For casual shooting, the autofocus is usually adequate, and it’s only when you push into demanding genres that its limitations become apparent.

Limitation: Limited Creative Range

Photo by Weidman Photography via Shutterstock

A kit lens provides a useful zoom range, but it lacks extremes. You won’t get the sweeping drama of an ultra-wide 10–18mm lens, nor the reach of a 70–300mm telephoto (however, a tighter frame, like that shown above, can still be breathtaking!). Macro photography is also limited since most kit lenses don’t offer close focusing capabilities beyond about 0.25–0.3m.

That doesn’t mean you can’t get creative. For wide-angle effects, try stitching panoramas together in post to mimic a wider field of view. For close-ups, a budget extension tube can transform your kit lens into a makeshift macro lens. Cropping is another underrated tool—modern cameras with 20–24 megapixels give you plenty of room to crop without sacrificing print quality.

Embracing the limitations of your kit lens can actually make you a stronger photographer. I’ve found that when I was “stuck” with my 18–55mm, I started paying closer attention to framing, leading lines, and light. Limitations push creativity, and that’s a valuable lesson for any beginner.

Pricing and Value: Are Kit Lenses Worth It?

Photo by GKVP on Unsplash (license)

Given their shortcomings, you might wonder if a kit lens is worth keeping. The answer is yes—for beginners, they’re an incredible value. Bundled with a new camera, the cost is often just a fraction of what the lens would be sold for individually. They allow you to learn photography fundamentals without spending hundreds on specialty lenses you may not need yet.

On the used market, kit lenses are even more affordable. Because many photographers sell them once they upgrade, there’s a large supply available at excellent prices. This makes them a great option if you accidentally damage yours or simply want a backup lens. For example, I picked up a used Canon EF-S 18–55mm IS II for under $70, and it worked like new.

If you’re looking for a trustworthy place to buy used kit lenses, I recommend checking out MPB. They specialize in used photography gear, thoroughly inspect every item, and provide accurate grading with warranties. It’s an ideal way to save money while ensuring you’re not taking a gamble on quality. Beginners especially benefit from this, as it lowers the cost of experimenting with gear.

When (and Why) to Upgrade from a Kit Lens

Eventually, you may feel the kit lens is holding you back. If you’re constantly struggling with low light, craving more background blur, or wishing for greater reach, it might be time to consider an upgrade. The good news is, you don’t need to jump straight to expensive professional glass.

A natural first upgrade for many is the “nifty fifty”—a 50mm f/1.8 lens. Whether it’s the Canon EF 50mm f/1.8 STM (shown above), Nikon 50mm f/1.8G, or Sony FE 50mm f/1.8, these lenses are inexpensive and offer a huge improvement in low light and depth of field control. They’re excellent for portraits and general use.

If you’re interested in wildlife or sports, a budget telephoto like the Canon EF-S 55–250mm IS STM or Nikon 70–300mm f/4.5–6.3G ED VR is a great choice. Landscape photographers might look at wide-angles like the Canon EF-S 10–18mm f/4.5–5.6 or Nikon AF-P DX 10–20mm f/4.5–5.6. The point is, upgrade when your creative needs demand it, not just because you feel pressured to own better gear.

Making the Most of What You Have

Photo by Marco Di Stefano via Shutterstock

At the end of the day, a kit lens is more than just an entry-level tool—it’s a learning companion. Its limitations can feel restrictive, but they also push you to understand light, composition, and technique in ways that expensive gear sometimes masks. Many of my favorite early images were taken on simple kit lenses, not because the optics were perfect, but because I was learning to see the world creatively.

Instead of focusing on what your kit lens can’t do, challenge yourself to see how far you can push it. Mastering workarounds builds confidence and skill, and when you do decide to upgrade, you’ll appreciate the advantages of new gear even more. Remember, it’s not the lens that makes the photograph—it’s the person behind the camera.

FAQ

Can I shoot professional photos with a kit lens?

Yes, a kit lens can produce professional-quality photos if you understand its limitations and work within them. Many photographers have shot weddings, portraits, and travel images with kit lenses. The key is strong technique, composition, and post-processing.

Is a kit lens good for portraits?

It can be, especially at the longer end of the zoom range (e.g., 55mm on an 18–55mm). While you won’t get the same background blur as a prime lens, careful positioning and lighting can still deliver pleasing portrait results.

Should I replace my kit lens right away?

No, it’s best to learn with your kit lens before upgrading. Once you know what type of photography you enjoy—portraits, landscapes, wildlife—you can choose lenses that fit those needs more effectively.

What is the best first upgrade after a kit lens?

A 50mm f/1.8 prime lens is often the best first upgrade. It’s affordable, sharp, and offers much better low light performance and subject separation compared to a kit lens.

Where should I buy a used kit lens?

Platforms like MPB are excellent choices. They provide accurate grading, warranties, and peace of mind when buying used photography gear.

Heads up: Clicking on our affiliate links and exploring our sponsored content helps us at no extra cost to you, and we only recommend gear we’re absolutely crazy about!

Learn More:

• How to Use a Kit Lens to Its Full Potential
• 6 Reasons You Need a 50mm Lens

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The post Kit Lens Limitations: What They Can’t Do (And Workarounds) appeared first on Photography Talk.

There’s a particular kind of magic that comes with a single prime lens. Rent one for a day or stick it on your camera, and suddenly your decisions become simpler, your images more intentional. If you’ve ever heard photographers talk reverently about the “nifty fifty,” they’re talking about one of the most useful and transformative tools you can own: the 50mm lens.

What makes the 50mm lens special isn’t a single technical miracle — it’s a combination of price, optical quality, and versatility. Whether you’re shooting portraits, street scenes, travel photos, or low-light moments, a 50mm often delivers more than its modest size and cost would suggest. It’s the kind of lens that can quietly teach you composition, help you isolate subjects, and let you experiment with shallow depth of field without breaking the bank.

In this article, I’ll walk through six compelling reasons to add a 50mm lens to your kit, show real-world examples from Canon, Nikon, and Sony, and give practical buying tips for new and experienced photographers alike. By the end, you’ll understand why so many photographers — myself included — reach for a 50mm lens as a first prime and then keep it on the camera long after.

Photo by Sajjad Ahmadi on Unsplash (license)

Photo by Anastassia Anufrieva on Unsplash (license)

Photo by Rohan Britto on Unsplash (license)

Hero photo by Charlie Firth on Unsplash (license)

The post 6 Reasons You Need a 50mm Lens appeared first on Photography Talk.

But here’s the truth: you may not need one. For many photographers, an f/1.2 lens is more of a luxury than a necessity. It can complicate your workflow, strain your budget, and add weight to your bag for benefits you don’t always use.

So, let’s explore whether an f/1.2 lens is worth it, and when you’re better off saving your money by choosing a smaller aperture or buying used gear. Let’s dive in!

Table of Contents

• Understanding Aperture: What Does f/1.2 Lens Really Do?
• Size, Weight, and Portability: The Hidden Cost of Speed
• Depth of Field and Focusing Challenges
• Low Light Performance: When an f/1.2 Lens Truly Shines
• Do You Really Need It? Types of Photography That Don’t Benefit from f/1.2
• Price vs. Practicality: Is the Investment Worth It?
• When an f/1.2 Lens is Truly Justified
• FAQ

Understanding Aperture: What Does f/1.2 Lens Really Do?

The aperture setting on a lens controls how much light enters the camera. A lower f-number, like f/1.2, means the aperture is wide open. This allows more light to hit the sensor, which is helpful in dark environments.

Moreover, an f/1.2 lens like the Canon RF 50mm f/1.2L USM shown above creates a very shallow depth of field. This makes it perfect for isolating your subject and achieving beautiful background blur, also known as bokeh. That dreamy, artistic look is one reason photographers love these lenses.

But that wide aperture comes with some drawbacks. The depth of field is so shallow that focusing becomes a challenge. And since the optics have to be so precise, these lenses are large, heavy, and expensive.

So while the extra light and subject separation are great, they might not be as essential as you think—especially if you typically shoot in good lighting or stop down your lens anyway.

Size, Weight, and Portability: The Hidden Cost of Speed

One of the biggest drawbacks of an f/1.2 lens like the Canon RF 85mm f/1.2 L USM shown above is its size. These lenses are usually bulky, and when mounted on your camera, they can make even a mirrorless setup feel front-heavy.

If you’re someone who walks a lot with your gear—maybe you’re a street photographer, traveler, or documentary shooter—you might find an f/1.2 lens tiring to carry all day. In contrast, an f/4 lens is often compact and lightweight, encouraging more mobility and spontaneous shooting.

Personally, I’ve switched from heavy fast primes to slower zooms on many trips, just because I wanted less gear in my backpack. The creative tradeoff was worth the comfort and flexibility.

Unless you’re shooting in a controlled environment or don’t mind the bulk, an f/4 lens is often far more practical.

Depth of Field and Focusing Challenges

Photo by g215 via Shutterstock

When you shoot wide open at f/1.2, the depth of field is razor-thin. This can create stunning effects, but it also increases your chances of missing focus.

Even with modern autofocus systems, it’s easy to get the tip of the nose sharp while the eyes are soft—or vice versa. If your subject moves even slightly, your shot can be ruined.

There’s also the issue of distractions. While that soft background looks great in portraits, in other situations it can feel unnatural or even make the photo feel flat. Sometimes, more depth is actually more useful.

For these reasons, many photographers stop their f/1.2 lens down to f/2 or f/2.8 in real-world use, which means they’re not fully using that extra stop anyway.

Low Light Performance: When an f/1.2 Lens Truly Shines

Photo by Mathias Kerner on Unsplash (license)

There’s no doubt that an f/1.2 lens performs beautifully in low light. If you’re shooting weddings, concerts, or indoor events, having that extra stop can be the difference between a usable photo and a blurry mess.

The wider aperture lets you shoot at lower ISOs and faster shutter speeds. This means cleaner images with less noise and less motion blur—huge advantages when light is limited.

If low-light photography is a regular part of your workflow, then an f/1.2 lens may be a smart investment. But if you mostly shoot in daylight or with artificial light, you likely won’t tap into the full benefit.

Think carefully about how often you really need that low-light edge before committing to a big, expensive lens.

Do You Really Need It? Types of Photography That Don’t Benefit from f/1.2

Photo by Tim Stief on Unsplash (license)

Not all photography styles need fast lenses. In fact, some benefit more from slower, sharper, and lighter glass.

Landscape photographers typically shoot at f/8 or higher for maximum depth of field. Architecture and travel shooters often want corner-to-corner sharpness and portability—two things an f/1.2 lens doesn’t always offer.

In the studio, you’re in control of the lighting and can shoot at any aperture. Product photography, macro work, and even many editorial setups don’t require ultra-wide apertures.

If your shooting style doesn’t demand low-light performance or shallow depth of field, you might never truly benefit from the full capabilities of an f/1.2 lens.

Price vs. Practicality: Is the Investment Worth It?

An f/1.2 lens like the Sony FE 50mm shown above doesn’t just cost more—it costs a lot more. In many cases, you’re paying two to five times the price of an f/1.8 or f/4 alternative for one extra stop of light.

Is that extra stop always worth it? Not for most photographers. Unless you regularly shoot in challenging light or require extreme subject isolation, the performance boost doesn’t match the price jump.

However, if you’ve decided that an f/1.2 lens is essential for your work or creative goals, there’s a smart way to buy: go used. Platforms like MPB offer high-quality, gently used lenses at much lower prices. They inspect, rate, and warranty every piece of gear, giving you confidence in what you’re buying.

I’ve purchased used lenses from MPB and saved hundreds without sacrificing performance. If you’re shopping for fast glass, it’s absolutely worth checking their inventory before paying full price.

When an f/1.2 Lens is Truly Justified

Photo by Shunevych Serhii via Shutterstock

There are situations where an f/1.2 lens makes perfect sense. Professional wedding and event photographers often deal with poor lighting and fast-paced environments. For them, fast glass is not optional—it’s critical.

Creative portrait photographers also lean heavily on f/1.2 for signature looks. That dreamy bokeh and subject isolation can set their work apart and justify the investment.

Videographers and hybrid shooters also appreciate the look and light-gathering ability of an f/1.2 lens, especially in natural-light scenes where artificial lighting isn’t practical.

If your work relies on these features, then the cost, weight, and quirks of a fast prime are worth the tradeoff.

FAQ

Is an f/1.2 lens always better than an f/4 lens?

Not necessarily. It depends on your shooting needs. An f/1.2 lens is great for low light and bokeh, but f/4 lenses are often sharper, lighter, and more affordable.

Why are f/1.2 lenses so expensive?

They require advanced optics and precision engineering. The wider aperture means more glass, more complexity, and higher production costs.

Should beginners buy an f/1.2 lens?

Most beginners will benefit more from an f/1.8 or f/2.8 lens. They’re easier to use, more affordable, and still offer great image quality.

Where can I buy used f/1.2 lenses safely?

MPB is a trusted platform that sells quality used lenses. They grade their gear, offer warranties, and have excellent customer service.

Do professionals always use f/1.2 lenses?

No. Many pros choose gear based on the job. Sometimes an f/4 zoom is more practical. It’s all about finding the right tool for your needs.

Our articles might have affiliate links and the occasional sponsored content, but don’t sweat it – if you buy something, we get a little kickback at no extra cost to you, and we only hype products we truly believe in!

Learn More:

• Top Nikon Z Lenses for Landscape Photography
• Prime or Zoom Lens: Which Should You Buy First?

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The post Is an f/1.2 Lens Overkill? When You Really Don’t Need That Extra Stop of Light appeared first on Photography Talk.

While prime lenses often steal the spotlight in portrait circles, there’s one tool that seasoned photographers keep close: the 70-200mm zoom. This versatile lens is more than just a telephoto—it’s a creative powerhouse. Offering beautiful compression, tack-sharp images, and flexible framing options, the 70-200mm zoom has earned its place as a portrait photography essential.

Whether you’re shooting in natural light, the studio, or a chaotic outdoor setting, this lens delivers. In this article, we’ll break down exactly why the 70-200mm zoom is a portrait photographer’s secret weapon and how it can elevate your work, even on a budget.

Table of Contents

• The Focal Range Sweet Spot
• Stunning Background Separation and Bokeh
• Tack-Sharp Results Across the Frame
• One Lens, Many Looks
• Built to Last – Reliability and Pro Durability
• Price Considerations and the Smart Way to Buy
• Not Just for Portraits—Versatility Beyond the Studio
• The Portrait Zoom You Didn’t Know You Needed

The Focal Range Sweet Spot

The 70-200mm zoom covers what many professionals consider the ideal focal range for portraiture. At 70mm, you get a natural perspective that’s great for full-body portraits. Zoom in to 135mm, and you’re at one of the most flattering focal lengths for head-and-shoulders portraits. Push to 200mm, and you unlock the kind of creamy background compression that makes subjects pop.

This range allows photographers to work from a comfortable distance, which helps subjects relax. You’re not invading their personal space, yet you’re capturing tight compositions with flattering results. The compression from longer focal lengths also reduces facial distortion, lending a refined and professional look to every image.

Many photographers use prime lenses like 85mm or 135mm for similar results, but the beauty of the 70-200mm zoom is having multiple focal lengths in one lens. That flexibility can dramatically improve your shooting efficiency, especially during time-sensitive sessions.

From tight headshots to full-body environmental portraits, the 70-200mm zoom lets you adapt quickly without changing your position or switching lenses, making it an invaluable asset on any shoot.

Stunning Background Separation and Bokeh

photo by chaossart via Shutterstock

One of the standout characteristics of the 70-200mm zoom is its ability to produce exceptional background separation and creamy bokeh. At f/2.8, this lens creates a beautifully shallow depth of field, especially at longer focal lengths. This is a huge advantage for portrait photographers who want to isolate their subjects and produce that classic, professional look.

Telephoto compression enhances this effect. When shooting at 135mm or 200mm, background elements appear closer and blur more smoothly, creating a dreamy backdrop that doesn’t compete with your subject. Whether you’re in a park, an urban environment, or a home studio, this lens transforms ordinary backgrounds into soft, painterly textures.

Bokeh quality is another area where the 70-200mm zoom shines. Most versions of this lens use rounded aperture blades that create smooth, circular blur in out-of-focus areas, free of harsh edges or distracting shapes. It’s ideal for both headshots and environmental portraits where background control is key.

If your goal is to make your portraits look high-end straight out of the camera, the 70-200mm zoom’s bokeh and background separation capabilities will get you there.

Tack-Sharp Results Across the Frame

photo by Aleshyn_Andrei via Shutterstock

Modern 70-200mm zoom lenses are impressively sharp—even when used wide open. This means you can confidently shoot at f/2.8 and still get crisp detail in your subject’s eyes, skin, and hair. For portrait work, that kind of sharpness is essential, especially if you’re shooting on a high-resolution camera or delivering large prints.

Lens sharpness isn’t just about resolution—it also helps make your images look cleaner and more professional. When paired with good lighting and composition, a sharp portrait stands out immediately, even to non-photographers.

Image stabilization (IS/VR/OSS) is another feature commonly found in the 70-200mm zoom. This helps reduce camera shake when shooting handheld, especially at slower shutter speeds. It’s perfect for natural light portrait photographers who want to keep ISO low without sacrificing sharpness.

Whether you’re working indoors or out, the consistent image quality from edge to edge makes the 70-200mm zoom a reliable performer in your lens lineup.

One Lens, Many Looks

photo by LightField Studios via Shutterstock

One of the biggest advantages of the 70-200mm zoom is the creative flexibility it offers during a portrait session. You can start at 70mm for a wider look, capturing more of your subject’s environment, then quickly zoom in to 135mm or 200mm for intimate, tightly framed portraits without moving your feet.

This level of control is a time-saver during fast-paced shoots, such as weddings, events, or lifestyle sessions where moments unfold quickly. It allows you to adapt your framing and composition instantly, giving you more variety with less effort.

photo by Alliance Images via Shutterstock

Zooming in also allows you to photograph candid moments without interrupting the flow of a session. You can hang back while your subject interacts naturally, and still capture expressive, emotive shots thanks to the lens’s reach and responsiveness.

With the 70-200mm zoom, you’re essentially carrying several prime lenses in one rugged package—making it a favorite among working pros who value efficiency without compromising quality.

Built to Last – Reliability and Pro Durability

Most 70-200mm zoom lenses are built like tanks. Designed for professional use, they feature rugged construction, weather sealing, and durable internal components that can withstand years of heavy shooting.

This reliability is especially important for portrait photographers who work in varying conditions—whether it’s an outdoor engagement session in unpredictable weather or a dusty location shoot in the desert.

Some models even include fluorine coatings to resist smudges and water droplets, further protecting your investment. When you’re working with clients or on tight timelines, knowing your gear will perform is a major confidence booster.

The durability of the 70-200mm zoom also means it holds its value well on the used market, which leads us to our next point.

Price Considerations and the Smart Way to Buy

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There’s no sugarcoating it—brand-new 70-200mm zoom lenses can be pricey. Flagship f/2.8 models from Canon, Nikon, and Sony often run between $1,800 and $2,800. That’s a big investment, especially for newer photographers or hobbyists transitioning to pro-level work.

Thankfully, there are more affordable options. Many manufacturers offer excellent f/4 versions of the 70-200mm zoom, which are lighter, smaller, and significantly less expensive. These lenses still deliver great sharpness and bokeh, especially when paired with good technique.

Another smart option is to buy used. Trusted platforms like MPB make it easy to find gently used 70-200mm zoom lenses at a fraction of the new price. MPB provides condition ratings, warranties, and return options, giving you peace of mind when investing in used gear.

Whether you go for a flagship f/2.8 or a more affordable f/4 version, buying used through a reputable site like MPB can stretch your budget without sacrificing quality.

Not Just for Portraits—Versatility Beyond the Studio

photo by Keith Pepper via Shutterstock

While the 70-200mm zoom shines in portraiture, its versatility extends well beyond that. This lens is also a favorite for wedding photographers, event shooters, and even sports and wildlife enthusiasts thanks to its reach and performance.

If you’re a portrait photographer who occasionally dabbles in other genres, the 70-200mm zoom gives you the flexibility to cover a wide range of subjects. It’s especially useful for capturing spontaneous moments at events where you can’t always be up close.

This versatility makes it a strong long-term investment. Rather than buying multiple specialty lenses, many photographers rely on the 70-200mm zoom as their workhorse lens for both personal and professional projects.

The ability to handle so many shooting situations makes it more than just a portrait tool—it’s a true all-around performer.

The Portrait Zoom You Didn’t Know You Needed

photo by Roman Samborskyi via Shutterstock

In a world where prime lenses often get the spotlight, the 70-200mm zoom quietly proves it’s worth every day in the hands of serious portrait photographers. With stunning image quality, gorgeous bokeh, and unmatched flexibility, it’s a lens that consistently delivers professional results.

From its flattering focal range to its tank-like build, the 70-200mm zoom is a true secret weapon—ideal for everything from tightly composed headshots to sweeping environmental portraits. Add in the fact that you can find high-quality used versions on platforms like MPB, and it becomes one of the smartest investments a portrait photographer can make.

If you’re looking to level up your portrait work with just one lens, the 70-200mm zoom deserves a permanent place in your camera bag. Be sure to check out MPB for a large selection of 70-200mm lenses at budget prices, too!

Heads up: Clicking on our affiliate links and exploring our sponsored content helps us at no extra cost to you, and we only recommend gear we’re absolutely crazy about!

Learn More:

• Cinematic Photography: How to Create Still Images That Tell a Story
• Golden Hour Photography: Capturing the Magic of Natural Light

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If you’re thinking about buying a used Nikon D850 in 2025, you’re not alone. The secondhand market is filled with opportunities to score this legendary camera at a fraction of its original price. But with a high-performance tool like this, it’s important to know what you’re getting before you hit “Buy.” Shutter count, body condition, and where you buy it can make all the difference between a great deal and buyer’s remorse.

In this guide, I’ll walk you through everything you need to know about buying a used Nikon D850—from what to check before purchase to what you should expect to pay. I’ll also show you why MPB is my top pick for used gear and how you can even trade in your old camera to offset the cost.

Table of Contents

• Why the Nikon D850 Is Still Worth Buying Used
• What to Expect to Pay for a Used Nikon D850 in 2025
• Key Things to Check Before You Buy
• Where to Buy a Used D850 Safely
• Red Flags to Watch Out For
• Smart Extras to Look For
• A Used Nikon D850 is Still Worth It

Why the Nikon D850 Is Still Worth Buying Used

The Nikon D850 was a game-changer when it launched, and it hasn’t lost its luster. Its 45.7-megapixel back-side illuminated (BSI) full-frame sensor was one of the primary reasons I ordered one right away. It still delivers stunning image quality that rivals many of today’s mirrorless cameras. Whether you’re printing large gallery-quality images or cropping deep into a wildlife photo, the D850 gives you that kind of flexibility.

It also features an incredibly fast and accurate 153-point autofocus system—borrowed from Nikon’s flagship D5—making it well-suited for action, sports, and wildlife work. Add in 7 frames per second (expandable to 9 with a grip), 4K video, dual card slots, and one of the best optical viewfinders ever made, and you’ve got a complete package that’s hard to beat, even in 2025.

The Nikon D850 also offers unmatched battery life, which is a big reason many photographers continue to prefer it over newer mirrorless models. You can shoot all day—literally—without worrying about power. The body is weather-sealed and rugged, meaning it’s just as ready for adventure as it is for the studio.

What to Expect to Pay for a Used Nikon D850 in 2025

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Used prices for the Nikon D850 vary depending on condition, shutter count, and whether original accessories are included. As of now, you can find well-used models starting at under $700, while like-new examples with low shutter counts can reach up to $1,800.

MPB, my preferred source for used camera gear, offers some of the best pricing transparency in the market. They thoroughly inspect every item and clearly grade them as “Well Used,” “Good,” “Excellent,” or “Like New.” You know exactly what you’re getting before it arrives—and in my experience working with MPB for years, every camera has been exactly as described.

Plus, MPB backs most items with a six-month warranty, a seven-day return policy, and the option to buy, sell, or trade gear. That means you can sell or trade in your older gear to help fund your D850 upgrade—a major bonus if you’re trying to stay on budget.

Key Things to Check Before You Buy

Shutter Count

The Nikon D850 is rated for 200,000 shutter actuations, but lower counts are always preferable. A used model with under 50,000 clicks is considered low mileage and should give you years of service. Anything over 100,000 clicks is starting to creep into the camera’s expected lifespan, so adjust your price expectations accordingly.

You can ask the seller for a screenshot of the shutter count using tools like Nikon Shutter Count or ExifTool. Most reputable sellers, including MPB, list the estimated shutter count right in the product description. You can learn how to check the shutter count yourself in the video above by Riaan Keyser.

Physical Condition

Look carefully at photos or inspect in person if buying locally. Pay close attention to worn rubber grips, scratches, or dents—especially around the corners, lens mount, and bottom plate. A little cosmetic wear is fine, but impact damage could indicate the camera was dropped or mishandled.

Also check that the memory card slots close properly and that battery doors are intact. If anything feels loose or wobbly, it’s worth asking questions or walking away.

Sensor Cleanliness

Dirty sensors are common but fixable. However, scratches, oil spots, or damaged coatings are not. Ask for a photo of a white wall or sky at f/16 to spot dust or blemishes. A reputable seller like MPB inspects and cleans sensors before listing a camera, so you’re less likely to run into this issue.

Buttons, LCD, and Ports

Test every button and dial for responsiveness. Make sure the rear LCD and top screen have no dead pixels, discoloration, or damage. The tilting LCD should move smoothly and hold position. Also check that all ports (USB, HDMI, headphone, mic) are clean and functional.

With the D850’s reputation for durability, most issues are rare, but not impossible—especially on heavily used models.

Keep Reading: Which Used Nikon Camera is the Best?

Where to Buy a Used D850 Safely

I recommend buying from trusted used gear specialists like MPB. They offer:

• A six-month warranty on most items
• A seven-day return policy
• Clear condition grading (Well Used to Like New)
• The ability to trade in or sell gear to offset the cost

MPB’s inspection process is one of the best in the business. Over the years, I’ve bought several cameras and lenses through them, and every item has arrived exactly as described. Their D850 listings always include shutter count, cosmetic notes, and high-quality images so there are no surprises.

Other reputable retailers include KEH, B&H, and Adorama’s used departments. If you’re buying through eBay or Facebook Marketplace, proceed with caution. Only deal with well-reviewed sellers and always use buyer protection methods like PayPal Goods & Services.

Red Flags to Watch Out For

Photo by Gabriel Mihalcea on Unsplash (license)

When buying a used Nikon D850, steer clear of deals that look too good to be true. If someone’s selling a “mint condition” D850 for $500, that’s a major red flag.

Other warning signs include vague listings, refusal to share shutter count, or missing serial numbers. Cameras with signs of water damage, corrosion, or fungus inside the viewfinder should be avoided entirely.

Always ask specific questions and request detailed images. If a seller won’t provide them, move on—it’s not worth the risk.

Smart Extras to Look For

Some used Nikon D850 listings come with helpful extras that add real value. Keep an eye out for:

• Original box and documentation (helps confirm legitimacy)
• Extra batteries and charger
• Vertical grip (MB-D18 for faster shooting and longer battery life)
• Screen protector or L-bracket

MPB often includes accessories in the product description, so take note of what’s bundled with each listing. Getting these extras can save you money in the long run.

A Used Nikon D850 is Still Worth It

The Nikon D850 may no longer be the latest DSLR on the block, but its performance, image quality, and build make it a stellar choice in 2025—especially when buying used. Just take the time to check the shutter count, inspect the condition, and buy from a trusted source.

MPB continues to be my go-to for used camera gear. Their detailed listings, fair pricing, and solid warranty make the process hassle-free. Whether you’re upgrading from a crop sensor body or adding a second camera to your kit, a used Nikon D850 could be the smartest photography investment you make this year.

Friendly disclaimer: Our articles may contain affiliate links that support us without costing you more, and sometimes we spice things up with sponsored content—but only for products we truly stand behind!

Learn More:

• 5 Nikon Z8 Specs That Make It a Fantastic Landscape Photography Camera
• 6 Reasons Why the Nikon D810 is a Great Buy in 2025

The post Used Nikon D850 Buyer’s Guide: What to Look for in 2025 appeared first on Photography Talk.

Whether you’re a seasoned filmmaker looking for a backup body, a budget-conscious creator, or a photography enthusiast getting serious about video, this camera continues to offer tremendous value. It’s a workhorse with a legacy—and in many ways, it still competes with some of today’s entry- to mid-level cameras.

What makes the Panasonic GH4 so special in 2025? It’s not just about nostalgia. The GH4 is packed with features that are still incredibly relevant, especially for video-focused creators. With its professional-grade 4K recording, robust build, deep Micro Four Thirds ecosystem, and unbeatable value on the used market, this camera stands tall in a crowded field.

Let’s break down exactly why the Panasonic GH4 deserves a place in your gear bag this year.

Table of Contents

• The Panasonic GH4 Offers Professional-Grade 4K Video on a Budget
• You Get Robust Build Quality and Ergonomics With the GH4<
• The Panasonic Micro Four Thirds Ecosystem is Hard to Beat
• The Panasonic GH4 Has Surprisingly Relevant Features for Creators
• The Panasonic GH4 Provides Incredible Value for Money in 2025

The Panasonic GH4 Offers Professional-Grade 4K Video on a Budget

When the Panasonic GH4 launched, it was one of the first mirrorless cameras to offer internal 4K video recording—and it didn’t cut corners. It shoots UHD 4K at 30p and Cinema 4K (4096×2160) at 24p, both with incredibly detailed image quality. For content creators and filmmakers who care about video, the Panasonic GH4 remains one of the most affordable ways to achieve professional-looking results. See the video review above by DSLR Video Shooter for more details.

You also get high-bitrate recording options, including 100 Mbps IPB and 200 Mbps All-I compression. This is a big deal for color grading and post-production flexibility. Even today, many budget cameras don’t offer this level of internal recording performance. If you’re working on YouTube videos, documentaries, weddings, or short films, the GH4 still delivers clean, cinematic footage.

What’s more, the camera features advanced video tools like focus peaking, zebras, and waveform monitoring. These are must-haves for serious video shooters and are often missing from cameras in the same price range. Pair the Panasonic GH4 with a decent lens, and you’ll have a full-fledged video production system without breaking the bank.

You Get Robust Build Quality and Ergonomics With the GH4

As Steven Heise discusses above, the Panasonic GH4 is built to last. With a full magnesium alloy frame and weather-sealing, it’s a rugged camera that can handle the rigors of real-world shooting. Whether you’re filming in the rain, hiking in dusty terrain, or working long shoot days, the GH4 is built for it.

Ergonomically, the GH4 feels great in the hand. The deep grip provides excellent comfort during handheld shoots, and the physical dials and buttons give you fast access to key settings. You’re not constantly diving into menus, which makes it ideal for fast-paced work where efficiency is key.

In 2025, a lot of budget mirrorless cameras cut corners on build quality. Plastic bodies, awkward menus, and minimal tactile controls can really slow you down. The Panasonic GH4 still feels like a professional tool. It was made for creators who demand reliability and control, and it holds up even after years of use.

If you need a dependable camera body for travel, outdoor shoots, or run-and-gun filmmaking, the GH4 won’t let you down. It’s one of those rare cameras that feels like it was built with the user in mind.

The Panasonic Micro Four Thirds Ecosystem is Hard to Beat

One of the GH4’s biggest strengths is its compatibility with the expansive Micro Four Thirds (MFT) ecosystem. There’s a huge range of lenses available from Panasonic, Olympus, and third-party manufacturers like Sigma and Laowa. Whether you’re looking for a compact pancake lens, a fast prime, or a versatile zoom, the options are both affordable and lightweight.

And because the GH4 has a short flange distance, it plays well with vintage lenses via adapters. You can experiment with old Nikon, Canon FD, or even cinema glass to get unique looks without spending a fortune. This flexibility makes the Panasonic GH4 a creative powerhouse for videographers and photographers alike.

The Micro Four Thirds system is also ideal for travel and documentary work. Lenses are generally smaller and lighter than their full-frame counterparts, which means you can carry more gear with less bulk. If portability and versatility matter to you, this system makes a lot of sense in 2025.

Don’t underestimate how valuable it is to have access to a mature and diverse lens ecosystem—especially when building a kit on a budget. The Panasonic GH4 puts you at the center of one of the most accessible and creative systems out there.

The Panasonic GH4 Has Surprisingly Relevant Features for Creators

Despite its age, the Panasonic GH4 is packed with features that today’s content creators still crave. For starters, it has a fully articulating touchscreen—perfect for vlogging, filming yourself, or getting creative with camera angles. You also get headphone and microphone jacks, something that’s not guaranteed even on newer models.

One standout feature is the full-size HDMI output, which allows you to record clean, uncompressed footage to external monitors or recorders. Paired with a device like the Atomos Ninja V, you can capture 10-bit 4:2:2 video and take your footage to the next level.

Other creator-friendly features include time-lapse and stop-motion modes built right into the camera, focus peaking for precise manual focus, and a high-resolution electronic viewfinder. The autofocus system may not be cutting-edge in 2025, but it’s accurate and predictable—particularly in controlled environments or for manual-focus shooters.

Whether you’re livestreaming, shooting interviews, or building your YouTube channel, the Panasonic GH4 still checks a lot of boxes. It’s a reliable, flexible tool for content creation that doesn’t require compromise.

The Panasonic GH4 Provides Incredible Value for Money in 2025

Let’s talk about the real kicker: value. In 2025, you can often find a Panasonic GH4 body for under $400. That’s a staggering deal for a camera with this kind of feature set. If you’re a student, a budget-conscious filmmaker, or someone just getting into video, the GH4 gives you a serious head start.

Buying used makes the most sense, and MPB is one of the best places to pick up a Panasonic GH4 in great condition. MPB is a trusted name in the used gear world, offering thoroughly inspected and graded equipment so you know exactly what you’re getting. Their inventory is constantly changing, so it’s easy to find what you need.

MPB also offers a seven-day return window and a six-month warranty on most items, giving you peace of mind. Better yet, you can trade in your old gear or sell it to MPB to help offset the cost of a new-to-you GH4. It’s a smart way to upgrade without breaking the bank!

In terms of performance per dollar, the Panasonic GH4 is hard to beat. You get a camera that’s still relevant, extremely capable, and part of a rich ecosystem—all for a fraction of the price of new gear. That kind of value is rare, and it’s why the GH4 is still a smart buy in 2025.

Heads up: Clicking on our affiliate links and exploring our sponsored content helps us at no extra cost to you, and we only recommend gear we’re absolutely crazy about!

Learn More:

• Panasonic Lumix DC-S9 Review
• 5 Standout Features of the Panasonic Lumix GH5

The post 5 Reasons to Buy a Panasonic GH4 in 2025 appeared first on Photography Talk.

Whether you’re shooting street photography, portraits, travel, or even weddings, a 35mm lens offers a perfect blend of image quality, usability, and creative freedom. In this article, we’ll explore five compelling reasons why every photographer—no matter their skill level—should have a 35mm lens in their kit.

Table of Contents

• A 35mm Lens is the Perfect Balance Between Wide and Tight
• A 35mm Lens Forces Creative Framing and Composition
• Low-Light Performance and Shallow Depth of Field are Excellent in a 35mm Lens
• You Can Find Used 35mm Lenses for Cheap
• This is a True Everyday Lens
• Gear Up and Get Out There!

A 35mm Lens is the Perfect Balance Between Wide and Tight

Photo by Deon van Zyl on Unsplash (license)

One of the most attractive features of a 35mm lens is how naturally it renders scenes. On a full-frame camera, the 35mm focal length closely mimics the human field of view. It’s wider than a 50mm, giving you more context in the frame, but not so wide that you get unwanted distortion or exaggerated perspective.

This balance makes the 35mm lens incredibly versatile. It’s ideal for street photography, where you want to capture candid moments in context. It’s also fantastic for environmental portraits—images that showcase a subject along with the background elements that help tell their story. Travel photographers love it, too, because it allows them to capture landscapes, architecture, and people without changing lenses every few minutes.

Another advantage is that you don’t have to stand too far back or get uncomfortably close to your subject. The 35mm lens allows for intimate, personal shots while still including enough of the surroundings to maintain narrative depth. Get more details about shooting with a 35mm lens in the video above by The Bergreens. 

So whether you’re shooting a bustling street market or a quiet moment at home, the 35mm lens hits that sweet spot between wide and tight, giving you storytelling flexibility that few other focal lengths can offer.

A 35mm Lens Forces Creative Framing and Composition

Photo by Andrew Petrischev on Unsplash (license)

One of the best ways to grow as a photographer is to use a prime lens, and a 35mm lens is a perfect choice for this. Unlike zoom lenses that allow you to change focal lengths with a twist of the wrist, a 35mm prime lens requires you to physically move to recompose your shot. This limitation is actually a creative advantage.

When you’re using a 35mm lens, you start to see the world differently. You become more deliberate about your angles, your distances, and your backgrounds. This conscious approach helps sharpen your compositional skills in a way that zoom lenses rarely do.

Many photographers report that they take better photos with a 35mm lens simply because it slows them down—in a good way. You begin to pre-visualize your shots more accurately and make smarter decisions about what’s worth including in the frame.

Over time, this kind of intentional shooting will train your eye, improve your photographic intuition, and ultimately make you a better photographer. The 35mm lens encourages you to work the scene, explore different perspectives, and be more thoughtful about every frame you capture.

Low-Light Performance and Shallow Depth of Field are Excellent in a 35mm Lens

Photo by FRANCESCO TOMMASINI on Unsplash (license)

Another significant advantage of many 35mm lenses is their wide maximum apertures. Whether it’s f/1.8, f/1.4, or even f/1.2, these lenses are built to perform in low-light situations. That makes them an excellent choice for indoor photography, golden hour portraits, and nighttime street scenes.

The large aperture also gives you the ability to create a beautiful shallow depth of field. You can isolate your subject with creamy, aesthetically pleasing background blur—often referred to as “bokeh”—which adds a professional polish to your images.

Photo by FRANCESCO TOMMASINI on Unsplash (license)

A 35mm lens offers this shallow depth of field while still keeping some of the background in view, which is perfect for storytelling. You can highlight your subject without completely erasing the environment, making your images feel more grounded and authentic.

If you’re shooting with a crop sensor camera, a 35mm lens offers an effective focal length of around 50mm, which still gives you excellent low-light capabilities and attractive background blur. Whether you’re capturing a romantic wedding scene or a moody café moment, the 35mm lens delivers beautiful, sharp, and vibrant results.

You Can Find Used 35mm Lenses for Cheap

One of the most underrated benefits of the 35mm lens is its affordability—especially when you buy used. There are tons of high-quality 35mm lenses available in the second-hand market, making it easy to find one that suits your camera system and budget.

A fantastic place to shop for used 35mm lenses is MPB. MPB is a trusted online platform that specializes in buying and selling used camera gear. Their inventory is constantly changing, so you’re likely to find the exact lens you’re looking for, whether it’s for Canon, Nikon, Sony, Fujifilm, or another brand.

The post 5 Reasons Why Every Photographer Should Own a 35mm Lens appeared first on Photography Talk.

While newer cameras continue to flood the market, this mid-range DSLR from 2013 remains a fantastic option for beginner and enthusiast photographers alike. It offers a 24.2MP APS-C sensor, an articulating LCD screen, and built-in Wi-Fi and GPS—features that are still relevant more than a decade later.

The best part? Buying a used Nikon D5300 is an excellent way to get a feature-packed camera without breaking the bank. With used models available at a fraction of the price of new DSLRs, you can invest in a solid photography tool while saving money for accessories like lenses, tripods, and memory cards. In this article, we’ll break down why the Nikon D5300 remains a top-tier budget-friendly DSLR in 2025.

Table of Contents

• A Used Nikon D5300 Provides Solid Image Quality for the Price
• Tons of Features for Beginners and Enthusiasts
• You Get Capable Video Performance With a Used Nikon D5300
• Enjoy Great Lens Compatibility and System Expandability
• A Used Nikon D5300 is an Excellent Value in 2025

A Used Nikon D5300 Provides Solid Image Quality for the Price

Photo by Juan Carlos Bayocot on Unsplash (license)

Despite its age, the used Nikon D5300 still offers impressive image quality. The 24.2MP APS-C sensor captures highly detailed photos, making it an excellent choice for landscape, portrait, and general photography. Unlike some older DSLRs, the D5300 lacks an optical low-pass filter (OLPF), which helps enhance sharpness and fine detail in images.

Dynamic range is another strong suit of this camera. Even in high-contrast scenes, the sensor retains highlight and shadow details well, allowing for more flexibility in post-processing. Whether you’re shooting bright outdoor scenes or low-light environments, the D5300 produces balanced exposures with natural colors and minimal noise.

Additionally, the camera’s ISO range of 100-12,800 (expandable to 25,600) ensures that it performs well in various lighting conditions. While newer cameras have pushed ISO performance further, the D5300’s low-light capabilities remain solid, especially when paired with a fast prime lens like the Nikon 50mm f/1.8G.

Tons of Features for Beginners and Enthusiasts

Photo by Fotis Fotopoulos on Unsplash (license)

One of the reasons a used Nikon D5300 still holds its value is its packed feature set. Unlike entry-level DSLRs that lack advanced controls, the D5300 provides a great mix of beginner-friendly automatic modes and full manual settings, making it ideal for photographers at any skill level.

For example, its 3.2-inch vari-angle LCD screen allows you to take low-angle shots, capture overhead shots, or record a vlog, all while allowing you to see what you’re doing.

Additionally, the built-in Wi-Fi and GPS add modern convenience. The Wi-Fi functionality allows for easy file transfers to a smartphone or tablet, eliminating the need for constant memory card swaps. GPS tagging is useful for travel photographers who want to keep track of their shooting locations.

Autofocus performance is another highlight, thanks to the 39-point AF system. While it doesn’t compete with modern mirrorless cameras in speed or tracking, it still does a solid job for general photography. The 9 cross-type sensors provide extra accuracy, especially when using the central focus points.

You Get Capable Video Performance With a Used Nikon D5300

If you’re interested in video recording, a used Nikon D5300 still offers great functionality. It shoots 1080p Full HD at up to 60fps, providing smooth footage for casual videographers, vloggers, and content creators. Get more details about the D5300’s video capabilities in the video above by Travis M Thompson.

Unlike some budget-friendly DSLRs, the D5300 offers manual video controls, which allows you to adjust shutter speed, ISO, and aperture for greater creative flexibility. This is a major advantage for those who want more control over their footage compared to fully automatic settings.

The articulating LCD screen I mentioned earlier makes filming easier, too, especially if you’re a solo content creator. Whether you’re recording talking-head videos, tutorials, or travel vlogs, the ability to flip and tilt the screen is a game-changer.

While it lacks 4K video, Full HD at 60fps is still sufficient for most users. For those who primarily shoot stills but want video capabilities as a bonus, the used Nikon D5300 is more than capable.

Enjoy Great Lens Compatibility and System Expandability

Photo by Udit Saptarshi on Unsplash (license)

One of the biggest advantages of choosing a used Nikon D5300 is its compatibility with Nikon’s vast range of lenses. Since it uses the Nikon F-mount, users can access decades’ worth of affordable used lenses, including both DX and FX options.

If you’re on a budget, AF-S lenses provide full autofocus functionality. The D5300 lacks an in-body focus motor, so older AF-D lenses require manual focusing. However, with a vast selection of autofocus lenses available, this is rarely an issue.

Whether you’re interested in landscapes, portraits, macro photography, or wildlife, there’s an affordable Nikon lens to match. The flexibility of the system ensures that as your skills grow, your gear can grow with you.

A Used Nikon D5300 is an Excellent Value in 2025

Photo by Clovis Wood on Unsplash (license)

Perhaps the biggest reason to buy a used Nikon D5300 in 2025 is its exceptional value. With prices often ranging from about $200 to $350, it’s significantly cheaper than many entry-level mirrorless cameras, yet it offers superior handling and image quality.

If you’re looking to buy a used Nikon D5300, consider reputable platforms like MPB. MPB not only has a vast selection of used cameras and lenses, but it also allows you to trade in old gear to offset the cost. This makes upgrading your camera setup more affordable.

Another major benefit of buying from MPB is their six-month warranty on most items and a seven-day return window, giving you peace of mind when purchasing pre-owned gear. I’ve personally bought, sold, and traded gear through MPB for years, and the process has always been smooth and hassle-free. Investing in used gear through a trusted platform ensures you get a reliable camera at the best possible price.

The used Nikon D5300 remains a fantastic DSLR in 2025, offering excellent image quality, strong features, and great value. Whether you’re a beginner looking for your first camera or an enthusiast in need of a budget-friendly upgrade, the D5300 still holds its own.

With a 24.2MP sensor, articulating LCD, built-in Wi-Fi, and solid video performance, this camera provides everything you need for high-quality photography without the high price tag. Plus, the vast selection of affordable Nikon F-mount lenses ensures that you can expand your kit as you progress.

If you’re ready to buy a used Nikon D5300, platforms like MPB make it easy, offering great deals, trade-in options, and a warranty for peace of mind. With its affordability, versatility, and strong performance, the D5300 proves that a well-built DSLR can still be a great investment—even in 2025.

Friendly disclaimer: Our articles may contain affiliate links that support us without costing you more, and sometimes we spice things up with sponsored content—but only for products we truly stand behind!

Learn More:

• Nikon D7200 Review: Is It Worth Your Money in 2025?
• 5 Nikon Z8 Specs That Make It a Fantastic Landscape Photography Camera

Hero Photo by Barrett Ward on Unsplash (license)

The post A Used Nikon D5300 is Still a Great Camera in 2025 appeared first on Photography Talk.